In this podcast discussion, Holter talks about how he became interested in Kempton’s work, how Kempton’s writings provide an overview of and window into American life in the twentieth century, and why he wanted to make Kempton’s work available to a new generation of readers.
Murray Kempton (1917-97) was one of the greatest American journalists of the twentieth century. His career extended across seven decades, during which he produced somewhere around 11,000 columns, essays, and pamphlets, nearly all of them marked by his distinctive dry wit, insight, and stylistic elegance. He wrote about government and politics but also the civil rights movement (of which he was one of the earliest and most incisive white chroniclers) and a range of subjects that included jazz, sports, the arts, religion, history, and philosophy. He won the Pulitzer Prize for Distinguished Commentary in 1985 but was not widely known to readers outside of New York, where he wrote for newspapers including the New York Post, the World Telegram and Sun, and New York Newsday. But he was a hero and role model for many of the leading journalists of his era including Garry Wills, Joan Didion, David Remnick, Molly Ivins, Darryl Pinckney, and David Halberstam. And although he always identified with the political left, some of his greatest admirers included conservative journalists like William F. Buckley Jr. and George F. Will.
Andrew Holter recently has brought to publication the first collection of Kempton’s writings to appear since the 1990s. The anthology, entitled Going Around, offers a selection of Kempton that extends from his student journalism during the New Deal to his criticisms during the ‘80s and ‘90s of figures like Bill Clinton and Donald Trump (of whom he wrote that “Trump dresses his hatred up as though it were a peacock’s feathers”). In this podcast discussion, Holter talks about how he became interested in Kempton’s work, how Kempton’s writings provide an overview of and window into American life in the twentieth century, and why he wanted to make Kempton’s work available to a new generation of readers. He explains how his research led him to rediscover long out-of-print writings along with previously unpublished work (including Kempton’s uncompleted memoirs). He also describes why Kempton’s model of “going around” – beat reporting and direct interactions with people in the streets and in the community – is a necessary corrective to much received opinion and analysis today.